A PRACTICE THAT REVELS IN THE ASCENDENCY OF THE MICRO, THE DIRECT, THE UNFUSSY, THE URBAN, THE COLLECTIVE, AND THE HUMBLY TRANSFORMATIVE
PROJECTS ARE CONSTRUCTED, PERFORMED, AND DISPLAYED IN DECADENTLY SURFACED LOBBIES, DIRECTOR’S OFFICES, IN VAULTS, ARCHIVES.
AT LE FRESNOY I WANTED TO EXTEND THE NOTION OF CROSSOVER BY COMBINING OLD AND NEW. I FIRST DECIDED TO KEEP PARTS OF THE OLD BUILDINGS ALREADY ON THE SITE THAT WERE SLATED TO BE DEMOLISHED… THE IN-BETWEEN WAS NOT COMPOSITION, IT WASN’T DESIGN; IT WAS PURE CONCEPT. BERNARD TSCHUMI
L’APPARTEMENT UNE METAPHORE DU MONDE
THE BUILDING ITSELF IS A MARKER. THE PROJECT’S TRANSPARENCY ALLOWS PEOPLE TO ANIMATE AND TRAVERSE THE BUILDING AS AN URBAN SITE. IT IS THE POTENTIAL FOR MOBILITY AND ENCOUNTER THAT DRAWS ATTENTION TO THE PROJECT.
EVERYTHING HAS VALUE; NOTHING IS WORTH DESTROYING.
META FRICHE IS THE LOGICAL EXTENSION OF CIVIC FRICHE, THE RESEARCH PROJECT LAUNCHED IN THE SPRING OF 2010 THAT EXAMINED FRANCE’S TACTICAL APPROPRIATION OF MARGINAL SITES FOR PUBLIC FUNCTION.
ON SEPTEMBER 10TH 2010, THE CIVIC FRICHE EXHIBITION OPENED AT THE TAUBMAN COLLEGE OF ARCHITECTURE + URBAN PLANNING GALLERY
JOURNAL OF EMERGENT URBANITY
MIEUX FAIRE CIRCULER LES GENS POUR MIEUX FAIRE CIRCULER LES IDÉES.
REFERRED TO INTERCHANGEABLY AS THE “DOCKS DE PARIS” OR THE “DOCKS EN SEINE,” THE BUILDING’S MAIN TENANT IS A FASHION ACADEMY, L’INSTITUT FRANÇAIS DE LA MODE.
SITED IN A FORMER ARMS MANUFACTURING COMPLEX KNOWN AS “LA MANUFACTURE”, THE CITÉ DU DESIGN SUGGESTS THAT THEMATIC INSPIRATION, RATHER THAN PURE VISUAL VANGUARD, MIGHT SERVE AS THE DRIVER FOR MANUFACTURING ATTRACTORS.